“A walk through our music artworks.”
Alf Leileh w Leil / ألف ليلة وليل
2021
In Alf Leileh W Leil, we filmed Beirut with almost no electricity. Our rule was simple: film with what we have, and turn difficult circumstances into tools. Art becomes more honest when it resembles the subject it is exploring — when the way of capturing something becomes part of the result itself. For us, the process is as important as the final film, if not more.
Alf Leileh w Leil / ألف ليلة وليل
2021
In Alf Leileh W Leil, we filmed Beirut with almost no electricity. Our rule was simple: film with what we have, and turn difficult circumstances into tools. Art becomes more honest when it resembles the subject it is exploring — when the way of capturing something becomes part of the result itself. For us, the process is as important as the final film, if not more.
Alf Leileh w Leil / ألف ليلة وليل
2021
In Alf Leileh W Leil, we filmed Beirut with almost no electricity. Our rule was simple: film with what we have, and turn difficult circumstances into tools. Art becomes more honest when it resembles the subject it is exploring — when the way of capturing something becomes part of the result itself. For us, the process is as important as the final film, if not more.
Political Romance / رومانسية سياسية
2020
In Political Romance, we mixed internet codes of romance with political satire. Creating visual poetry.
Political Romance / رومانسية سياسية
2020
In Political Romance, we mixed internet codes of romance with political satire. Creating visual poetry.
Political Romance / رومانسية سياسية
2020
In Political Romance, we mixed internet codes of romance with political satire. Creating visual poetry.
Ka2an 3ayshin / كأن عايشين
2020
Ka2an 3ayshin is a collective artwork built from archival material. It was created during the 2019 Lebanese uprising, at a moment when people were coming together in the streets. It felt necessary for the creation process to reflect that same spirit of collectivity. The work was built collaboratively at every stage : from gathering footage to editing, which became an ongoing back-and-forth between the two of us and other editors.
Ka2an 3ayshin / كأن عايشين
2020
Ka2an 3ayshin is a collective artwork built from archival material. It was created during the 2019 Lebanese uprising, at a moment when people were coming together in the streets. It felt necessary for the creation process to reflect that same spirit of collectivity. The work was built collaboratively at every stage : from gathering footage to editing, which became an ongoing back-and-forth between the two of us and other editors.
Ka2an 3ayshin / كأن عايشين
2020
Ka2an 3ayshin is a collective artwork built from archival material. It was created during the 2019 Lebanese uprising, at a moment when people were coming together in the streets. It felt necessary for the creation process to reflect that same spirit of collectivity. The work was built collaboratively at every stage : from gathering footage to editing, which became an ongoing back-and-forth between the two of us and other editors.
Men3id w Men3id / منعيد ومنعيد
2018
Once again, a collective work created for the parliamentary elections taking place after nine years of unconstitutional postponement, in which we further pushed our mixed-media technique.
Men3id w Men3id / منعيد ومنعيد
2018
Once again, a collective work created for the parliamentary elections taking place after nine years of unconstitutional postponement, in which we further pushed our mixed-media technique.
Men3id w Men3id / منعيد ومنعيد
2018
Once again, a collective work created for the parliamentary elections taking place after nine years of unconstitutional postponement, in which we further pushed our mixed-media technique.
Zaffatleh El Tarik / زفتلي الطريق
2016
Zaffatleh el Tari2 was the first time we experimented with mixing internet footage, news archives, videos filmed by people on their phones in the streets, scenes of everyday life found online, mixed with newly filmed footage in front of the mountains of trash that filled the streets during this year’s garbage crisis.
Zaffatleh El Tarik / زفتلي الطريق
2016
Zaffatleh el Tari2 was the first time we experimented with mixing internet footage, news archives, videos filmed by people on their phones in the streets, scenes of everyday life found online, mixed with newly filmed footage in front of the mountains of trash that filled the streets during this year’s garbage crisis.
Zaffatleh El Tarik / زفتلي الطريق
2016
Zaffatleh el Tari2 was the first time we experimented with mixing internet footage, news archives, videos filmed by people on their phones in the streets, scenes of everyday life found online, mixed with newly filmed footage in front of the mountains of trash that filled the streets during this year’s garbage crisis.
Panique bel parlement / بانيك بالبرلمان
2013
Panique bel Parlement, a 100% homemade stop-motion cutout animation.
Panique bel parlement / بانيك بالبرلمان
2013
Panique bel Parlement, a 100% homemade stop-motion cutout animation.
Panique bel parlement / بانيك بالبرلمان
2013
Panique bel Parlement, a 100% homemade stop-motion cutout animation.
3al Jamal bi wasat Beirut / عالجمل بوسط بيروت
2012
When Downtown Beirut felt like a ghost town built for tourists and luxury brands, cut off from the city’s working class, we wondered: what if we paid it a visit on the back of two camels?
3al Jamal bi wasat Beirut / عالجمل بوسط بيروت
2012
When Downtown Beirut felt like a ghost town built for tourists and luxury brands, cut off from the city’s working class, we wondered: what if we paid it a visit on the back of two camels?
3al Jamal bi wasat Beirut / عالجمل بوسط بيروت
2012
When Downtown Beirut felt like a ghost town built for tourists and luxury brands, cut off from the city’s working class, we wondered: what if we paid it a visit on the back of two camels?
Jagal El USEK / USEKجغل ال
2012
At the very beginning of social media, this song was accidentally recorded with Michelle’s voice and an untuned guitar. Through satire and humour, it addressed macho attitudes toward women. Once it began circulating online, it became our first spark to create independently, film, and share our work freely without intermediaries.
Jagal El USEK / USEKجغل ال
2012
At the very beginning of social media, this song was accidentally recorded with Michelle’s voice and an untuned guitar. Through satire and humour, it addressed macho attitudes toward women. Once it began circulating online, it became our first spark to create independently, film, and share our work freely without intermediaries.
Jagal El USEK / USEKجغل ال
2012
At the very beginning of social media, this song was accidentally recorded with Michelle’s voice and an untuned guitar. Through satire and humour, it addressed macho attitudes toward women. Once it began circulating online, it became our first spark to create independently, film, and share our work freely without intermediaries.
© 2026 Barr. All rights reserved.
© 2026 Barr. All rights reserved.
© 2026 Barr. All rights reserved.